Annandale Galleries, Sydney
Kalanjay Dhir, Alexandra Jonscher Nadia Odlum, Warden,
curated by Andrew Christie
Coming to terms with our preoccupation with online spaces, these artists assess how we construct, alter and share our sense of identity. With a focus on materials and process they unsettle the distinctions between the tangible and the digital.
Responding to the triumphs and pitfalls of the ever-increasing flow of technology the concept of flow recurs in each work, whether relating to the flow of traffic, nature or information, they provide a highly considered and often humourous take on the changing nature of our interconnected bodies navigating digital spaces.
Responding to the triumphs and pitfalls of the ever-increasing flow of technology the concept of flow recurs in each work, whether relating to the flow of traffic, nature or information, they provide a highly considered and often humourous take on the changing nature of our interconnected bodies navigating digital spaces.
(foreground) Soft failure, found object assemblage, 60 x 60 x 60cm
(foreground) Glitch, powder coated steel, 70 x 120 x 60cm
Direction systems II, 2021, synthetic polymer paint on vinyl and aluminium, 50 x 59 cm
Splatter and shine, synthetic polymer paint on vinyl and aluminium, 41 x 30 cm
Shifts (in obstruction), synthetic polymer paint on mirrored acrylic
Topple, vinyl and graphite on aluminium composite panel, 44 x 30 cm
(foreground) Glitch, powder coated steel, 70 x 120 x 60cm
We returned to the streets and the thing that was different was me, spray paint and vinyl on aluminium composite panel, 31 x 31 cm